Showing posts with label The Drug Prowling Wolves. Show all posts
Showing posts with label The Drug Prowling Wolves. Show all posts

Sunday, 6 October 2013

ANOTHER MUSEUM PIECE (ALLEGRO MOLTO FURIOSO)






So I’d planted the idea…
Well, you’ve got to admit if it comes off then it’ll be a laugh if nothing else, but then if Nuzz comes up with anything then it’ll probably be ten times more effective ?
Oh well, whatever ?
His list of contacts is a lot better than mine in that regard because he was there for a lot longer, plus he was the face of the place, whether he likes it or not ?
A week later the ‘phone goes…
‘You alright ?’
‘Yes mate, what’s happening ?’
‘I’ve dropped the idea into certain quarters, now we just have to wait…’
‘There’s more to it than that and I know it, come on, what else have you got up your sleeve ?’
‘The Drug Prowling Wolves might be reforming for a one-off gig…’
‘Brilliant.  Anything else I ought to know ?’
‘No, not yet, but hows about you do a poetry set and then the Wolves come on afterwards ?’
‘Sounds fine to me, what sort of times are we talking about ?’
‘Well, with our four songs about half an hour…’
‘Try and go for two sets.  I’ll go on first and you guys follow then we’ll have a short break to let anybody there get a fag break or crap ‘emselves, whatever ?’
‘Probably the latter after they’ve heard us…’
‘Yeah, but you know what I mean… Any idea when the museum closes ?’
‘Five, I think ?’
‘Ok, how does this sound ?   I’ll do a fifteen minute set and then I’ll introduce you guys, then we’ll break and then after about half an hour we’ll do it all over again… If we reckon on finishing at about four-thirty then we can get out before they shut and they won’t be too pissed off… Oh, and I’ll bring some hand drums and percussion’y bits in case there are any youngsters there with their parents who might want to join in, how does that sound ?’
‘Sounds fine if I can get the band together ?’
‘Yeah, but it sounds promising, now all you’ve got to do is talk them into it…’
‘That could be easier said than done…’
‘I have faith…’
And that’s where we left it.
If anybody can pull this off, then Nuzz can.
The guy possesses the cheek of ‘Old Nick’ in certain areas and this is definitely one of those areas…

A month later, one and a half weeks before the museum is due to close the exhibition, we’re off and running…
The gig will take place on November the 17th the last day of the exhibition, and we’re doing the two sets.
Nuzz will be doing it with Roger, the Wolves vocalist, and I’ll be bringing along some implements of noise for any children who might have the bottle to hang about…
God… This is gonna be a laugh.
Hard work, because I’m going to have to tone down the set and change a few words just in case, but there’s no point in pissing off the museum if they are trusting us to do it.
After all, we might get offered another chance at some other time ?
Apparently with Herts Music Service and Anji on his side, Nuzz had managed to pull it off again.
(God, that reads badly, but you know what I mean...)
The fact that I was intending to involve the younger children that might be dragged along by their parents was apparently also a plus factor.
There are a few rules, but in all honesty we can actually accommodate them.
No advertising it all over social media sites on the internet.
We can live with that.
Only advertising the gig through word of mouth and at the museum.
We can live with that, too.
It’s looking good…


Now a few months before this was all to take place, back in the so-called summer, my ex-guitarist Emma had up-sticked from Australia and had moved back to England with her family (husband and two children) in the hope of going to Canada instead, and I kept bumping into them whilst working in the town centre.
Imagine her surprise when I dropped this bombshell into the conversation ?
‘No…  Really ?’
‘Yep.  Why not come along and bring the kids…’
‘You’re on… Send me the date when it’s happening.’
‘Ok… Don’t suppose you fancy playing a bit of guitar ?’
‘I can’t… I haven’t picked it up for about five years, I’m well out of practice but I’ll definitely be there…’
One.
‘Hey Frank… Guess what ?’
‘You’re joking…’
Two.
‘Hey Chris… What’s this gig with you and the Drug Prowling Wolves that Frank was telling me
about ?’
‘Hi Hugh…’
Three.
‘Hey Dawn, if you want to hear me do that poem I dedicate to you, then be at Stevenage Museum on November 17th…’
‘Really ?  Right, e-mail me the time and date…’
Four.
And so it went…
Now the thing I hadn’t told Nuzz until all the arrangements had been made, was that I’d asked Marcus and Sarah, our regular ‘Rhythms’ film team from (Shameless plug) http://www.bigideasproductions.co.uk/ Big Ideas Productions to film it.
Sarah had been a regular punter down there, and had been in the same class as Emma at school and she hadn’t thought twice.
‘We’ll be there…’
And that was it.
The filming was arranged.
Things were coming along nicely.


A week before the gig was due to take place, Nuzz asks to borrow my acoustic guitar for the event.
‘Yeah, ‘course you can but you know it’s got no electric output, it’s pure acoustic and you’ll have to mic’ it at the front…’
‘Not a problem and it’ll probably sound better than mine in there…’
‘Ok, you’ve got it… how are you guys doing ?’
‘Well… We had a practice in the kitchin last week…’
‘You ?   Practiced ?’
Please forgive the total incredulity on my behalf but that statement was certainly not expected.
Those guys NEVER practised… Well, not in the sense that actual musicians do…
‘Yeah… We haven’t played together in over ten years, so I thought we might as well have one at least…’
‘Right… Oh, one other thing… I’ve made arrangements to get it filmed… Just for posterity…’
‘Really ?’
‘Yep…  Sarah and Marcus are doing it…’
‘Well it’s gonna go down in Drug Prowling Wolves history, so why not ?   This could be a laugh…’
'We just need a snappy title, that’s all…’
‘Seemed like a good idea at the time…’
‘Ok, you’ve got it… That’s the title… The 'Seemed Like a Good Idea at the Time', gig…’


Yes, I know… We’re past total madness and in another zone completely, but what the fuck ?


Haddy is just taking all this in her stride.
I think she knew when we got married that she was possibly marrying a total madman, but then its love, and that conquers all.
Besides, she now knows that occasionally her husband does things that cannot really be explained in any sense of the word ‘normal’ so she goes along with it, although it has to be said there is sometimes a raised eyebrow or a quizzical look aimed in my direction.
But…
The thing is, it’s fun and if you can’t have a bit of fun with a few of your compadres then what’s life for ?
One thing I do know, without the escape valve from reality sometimes, then life would be thoroughly boring and I have no plans to go that route any more.
If there’s one thing that the heart attack taught me, it’s that you only get one bite.
I was lucky.
I survived the first one, but forty five per-cent of people (Yes, that’s the percentage figure, folks… Frightening isn’t it ?) don’t.
Have fun while you’re alive because we’re all eventually going to be a long time dead.
And if it harms no-one, then why not ?
It doesn’t matter how outlandish or crazy the idea is, if it feels right then do it because you’ll probably never get another chance.
I’m not saying it’s going to work for everybody, but if you give it a chance then you might even surprise a few people and yourself if the scheme comes off.
Ok, enough personal philosophy, let’s get back on track…


Three days before the event, Nuzz hits Facebook with the info’ and I have to admit it worried me because we’d promised we wouldn’t.
Sod it.
Consider it shared…
If it turns into ‘Woodstock’ and we get thousands of people then it’ll put this little town where very little is ever allowed to occur, on the map.
Haddy, ever the realist, points out that should that occur then I’d probably (being a council worker like the museum staff) lose my job…
That’s the least of my worries right now.
My main one is sorting out two sets of older material that I can do in front of children without upsetting their parents which I finally manage to do by the morning of the event.
Ok, I’m ready…


Come the afternoon and we’re down the museum at two o’clock.

Here we are again...
Of course being Saturday afternoon you can’t park anywhere near it, so I stick the car on one of the Church’s car parking spots as the museum entrance is on the other side and sort of underneath it.
Thankfully we got everything in without having to go back and forth as the weather looks like it’s getting a bit blustery to say the least.
Talking to the museum staff as we’re going in, they are looking forward to it because it’s something new for them, although one of them does say that there was a little opposition in council circles.
Ho-hum…
There’s always bloody opposition in council circles.
I swear, if this town could actually get rid of some of those people then it might actually rid itself of its 1950’s image and move into the next century.
There are enough people who want to do things, not just me and Nuzz, to have a vibrancy that is up there with places like Cambridge or London even, and it’s not like people haven’t got the will or the capacity to do it because they have, but they are restricted by this 1950’s outlook which basically says ‘we control everything that is going to occur and you will be told what you can and cannot do.’
Christ ! 
My step-daughter has more problems and more ‘control’ over her life than some people who may be reading this will ever or could ever imagine or be party to, and you know what ?
Her ‘mantra’ since she heard it, is ‘Gonna do it anyway,’ and she’s thirteen years old…
And what’s more she’s prepared to live it.
Thirteen years old, and she understands that she has to throw off that ‘control’ to be able to fulfil her own vision.
And CONTROL is the operative word.
They want control so as to be able to say that ‘They’ did it.
Fuck that.
Come on kids… Stand up and say NO.
Tell them that whatever obstacles are in the way, you’re going to do it anyway.
Ok, it may be smaller than you’d like, but show the powers that be that they DO NOT control you.
Show them that your vision is the equal of theirs and take responsibility for it.
They HAVE to show that they are responsible, so what’s wrong with you taking some of that responsibility and showing them that YOU are responsible too ?
After all, if it harms no-one then why not ?
Who needs a town where the only places to go are shitty ‘chav’ bars with dj’s, advertising their fucking ‘happy hours’ where you can get totally wrecked on spirits for about twenty quid ?
Who in their right mind needs that ?
Certainly not me, and if he’ll pardon me for speaking for him, certainly not the Nuzz Prowling Wolf either…
But I digress.


About three minutes later Nuzz and Roger walk in, closely followed by Marcus and Sarah and we all get to setting up with a will.

Marcus. Setting up...

It’s not the biggest gig that any of us have ever done, but it’s the current gig and that is more important.
Marcus has decided that he’s going to be predominantly ‘hand held’ so it’s definitely going to be a ‘cinema-verite’ look, however it turns out ?
Fine by me.
Let’s face it with less than an hour to go before we start, I’m past caring.
I know what I’m doing, and that is now where my responsibility ends.
Everybody else involved is responsible for keeping up their end, and that’s the way it should be.
If people turn up then they turn up, and if they don’t then we’re still going to do it, even if we do it for ourselves.
And slowly people start drifting in…
The room should hold about fifty people, possibly a few more, but if we get about thirty to forty then it’ll be a success.
We’d made it known that it was going to be ‘children friendly’ and we were going to stick to that promise.
It’s a small event for Stevenage Museum not a freaking great rock gig, and it’s being done because we thought that the idea of actually becoming part of the exhibition that actually featured some of OUR work in OUR town was something that even in its own small way, was something to celebrate.
Why not ?
We were responsible (That word again...) for a fair bit of it in its heyday.
Me and Nuzz, albeit with a lot of help from some other people, who, hopefully might turn up just for the craic, if the advertising has done its bit ?
I dunno about Nuzz, but I suspect he feels the same as me, but I’m quite proud of having brought artists like Flaco Jimenez, Jeff Buckley, Steve Young, David Halley, Tom Russell and Tom Pacheco amongst others to our venue in our town.
It isn’t a bad thing to have on your c.v. I know that.
As for Nuzz, he can list an alphabet of bands to his...
So yeah, this gig is a sort of ‘thanks’ to the museum and to the kids from ‘After Dark’ for actually thinking of us and getting it out there.


A last cigarette for the condemned man outside the front door and it’s three o’clock.
Let battle commence…


I thought the first set went reasonably well as it goes…


A little introduction about why we were there and I’m off, and I won’t say ‘running’, but ambling happily toward some sort of conclusion fifteen minutes down the road…
My big problem was wanting to stop half way through a poem and greet people coming through the door.

From left: Dread Ed, Nuzz, Roger, Sarah's back, Jonathan, Grant, Frank and Frank
Two Frank’s, Hugh,

Hugh and Frank
Mark Astronaut,

Me, trying to hypnotize Mark Astronaut into giving me a couple of cd's while Dread Ed looks on in amazement...
Chris, Anji and her children,


Dread Ed: 'And then I used scissors to cut them off...'






Dread Ed… Finally… Where the hell had he been ?  He’d been as much a part of it as me or Nuzz but thankfully he was here now, still totally manic, still ‘Dread Ed’, Nothing much has changed except we’re all a bit older.







Emz, with Hubby and the two boys.


Me with Emz and family

Grant
                                                                                  Grant





 and Graeme from Parnassus

Graeme
A bunch of 'After Dark's...

Emma and Jack from After Dark...



Rockin' Jonny T

Graeme, Haddy and Rockin' Jonny T
It’s cool.

Ok, I’m done…
Introduce the Drug Prowling Wolves and get out of the way.

Roger
Roger does the ‘Wolves’ introduction about why they were there, and they’re off and running too…


They made it through the first number, but unfortunately in the second Nuzz managed to break a string and of course I hadn’t thought to bring any replacements.

















Oh well, it’s the Drug Prowling Wolves, so you expect that sort of thing, but they carried on and he managed to break a second string at the end of the number.


But… He’d brought his own guitar along just in case, proudly emblazoned with the legend ‘This Guitar Kills Music…’
That’s a joke on Woody Guthrie’s ‘This Guitar Kills Fascists’ if you don’t know ?
But they managed to get through their first set…
That practice must have done something, normally they’d have cleared half the hall by now ?
But they were great in a primitive punky sort of rocky way AND this time you could hear the words and not have them buried in a muddy p.a. mix.
Good set despite the setbacks of broken strings.
Right, time to mingle and then go for another ciggie break…
Suzanne, stuck at a meeting, finally managed to get there in the interval.

I thought I was too slow in the second set and needed to speed up a bit, but then today I’d swapped manic for clarity so what do I know ?
People said they enjoyed it and understood what I was on about so maybe slower is best in some
situations ?
The 'Wolves' were great in their second set.
They managed to screw up one number and cancelled it halfway through and then after their anthem 'Get A Life' they invited all the kids and anybody else who wanted to join in...

Sarah & Jonathan








It was chaotic but so typically Drug Prowling Wolves.

Dread Ed, banging on about something...




Rockin' Jonny T played a four stringed acoustic...



It was great and you should have been there.
There are some who would criticize but what do they know ?
If you KNEW, then you'd maybe understand ?
But the 'Wolves' had pulled off another classic gig.
Anyway, I’ll let you decide…
Here is the link that’s going to play you the complete second set.



And that was it.
To steal one of Nuzz’s expressions, we’d done what it said on the tin.
Goodbye’s all round, a big thank you to the staff of the museum and we were outside in what seemed to be the teeth of a gale, only to find a parking ticket on the car for being parked six inches (I measured it) over the fucking pavement…


If Stevenage’s useless and lazy town centre cleansing team had done their fucking job properly and swept up the leaves and not sat drinking tea in their cosy warm office, then that wouldn’t have occurred.
Yeah, I know…  Pride comes before a fall !!!
There's going to be one mutha' of a row when I get to work tomorrow...


The following day I got a ‘phone call from Dawn…
Her mother had been rushed to hospital that morning so she couldn’t make it to the gig.
Thankfully, her Mother was recovering at the time of her call.
Ok, Dawn mate… This one’s for you…

Sunday, 25 August 2013

ANOTHER MUSEUM PIECE (ADAGIO) or (SOME OF) MY BACK PAGES...






It seemed like we’d been home for about two minutes but it was probably nearer a week when the ‘phone rang and the conversation went something like this…

‘Alright Chris ?  How was Cropredy ?’
‘It was good mate, thanks.  Saw some bloody good younger bands this year… What’s happening ?’
‘Have you been contacted by Herts Music Service ?’
‘Who ?’
‘Herts Music Service… Probably a woman named Suzanne, I gave her your number…’
‘Ok… Any idea what it’s about ?’
‘Yeah…  The museum want to do a big deal exhibition on the bands that played Bowes…’
‘What !!!  Stevenage museum ?’
‘Yeah… I told ‘em you could help ‘em out…’
‘You’re having a laugh… That’s more your thing…’
‘They’ve already contacted me…’

Sometimes knowing the Nuzz Prowling Wolf has its upside and sometimes it has its down side, but I have to admit it’s very rarely boring.


Apparently the youngsters (After Dark) who all hang out at the largest purpose built youth club in the country (Bowes Lyon House, Stevenage) had the bright idea that our local museum should put on an exhibition based upon all the artists who had played the venue, and since the two buildings were actually next to each other it obviously wasn’t going to involve too much moving about, so they had asked around, and Nuzz’s name had come up…
So Nuzz had been contacted, and after they’d had a little chat about what he could offer in the way of bits and pieces and remembrances, he’d tossed my name into the mix as another promoter who might have some bits and bobs salted away in the attic…

When I was growing up back in the 1960’s, there used to be a programme on the television entitled ‘All OurYesterdays’.
It had a presenter and used old television newsreels and the old Pathe news that we all used to watch in cinemas up and down the country.
The fact that it was on weekly from a period of about twenty five years previously gave you a good idea of what was once happening in the world and I have the feeling that this piece is going to be a sort of ‘All Our Yesterdays’ script ?
Oh well, like it or lump it.
Whatever I write and however I write it, it’s definitely going to come out as my back pages so here’s the lowdown.
We start our story in the late 1980’s…

I opened my second record shop in late 1985 in Stevenage.
It used to be in Baker Street which was a pedestrianized area just off Stevenage High Street in what was called ‘The Old Town’.
It’s not really, it is actually Stevenage and goes back centuries but the local council had stolen the name ‘Stevenage’ and had taken it to mean Stevenage New Town which was started in 1948 just after the Second World War had finished.
So the Old Town’ers harboured a bit of resentment toward the Council (still do as a matter of fact…)
for the theft of their town name.
And into this harbour of resentment stepped this record shop proprietor and pirate radio dj…

The first year was quite hard, but we soon got ourselves established and became part and parcel of the Old Town community with our own hardcore music fans who hung about listening to everything from avante-garde classical through to avante-garde rock with all the rest in the middle.
The fact that we seemed to exist on a diet of cigarettes and tea or coffee which was liberally shared with all the customers seemed to bring even more of them in and so long as the pot was always hot we all managed to get along.

Phil: Folk and Country, Andrea (In Phil's hat) Classic Heavy Rock, and Jack: Jazz, Swing and Piano Boogie
I say this, but think for a minute…
You have a shop full of ‘Metal’ heads and bikers and an old couple who like Bach or Mozart come in…
What are you going to do ?
Offering them a tea or coffee (made by one of the ‘metal’ heads) while they wait a few minutes for the ‘noise’ on the turntable to desist and they can have a preview listen to what they want to buy seemed to go a fair way toward placating any stupidity.
Well, it worked for us anyway, and everybody ended up ‘knowing’ each other because they all seemed to end up in the shop regardless of musical taste.
Nuzz was an occasional customer in all of this, but he was more a purveyor of weekly flyers for the gigs he was promoting at the Klub Wiv No Name, which was the name of Bowes Lyon House’s music club, so I’d see him on a reasonably regular basis.
I’d been asked a couple of times, being a record shop owner, to be a judge in their ‘Battle of the Bands’ competitions along with the guys from the musical instrument shop, so I knew the type of thing that they seemed to like locally.
And then tragedy struck and ‘Hurricane Laura’ (as she was known in the Old Town vicinity) died.
Laura Adams was a biker.
She was riding her motorbike home from Hitchin ahead of the pack that was about two minutes behind her, and somehow she came off in Martins Way at the side of the second bridge.
Laura was an occasional customer with her younger brother, Rob.
She was doing her law exams in the hope of becoming a solicitor, although the sight of her in leathers and ‘colours’ didn’t really go with the ambition, but she was passionate about what she wanted to do, and she was doing very well at University.
There were no witnesses to her accident and she was found by her friends at the side of the road, taken to hospital locally, and then, because she was in a coma, transferred to the Royal Free hospital in London, where, two weeks later, they turned off her life support system.
Now round about that time, I was making enquiries about putting on a concert with Flaco Jimenez and his Tex-Mex Band with my customer and mate, Frank (Still my front of stage guy at Rhythms of the World) and Laura had been a party to the conversation with Flaco’s British agent, being in the shop at the time.
Anyway, words were exchanged and bets were made…
Laura bet me we’d never get Flaco, and I bet her we would.
If we didn’t then I’d have to buy all her drinks at the Red Lion all night and if we did then she’d have to come to the gig dressed as a Mexican woman with the long dress, deep cleavage and petticoats…
(For those old enough to know this stuff and maybe for those who don’t, think Katy Jurado in all those John Wayne and Henry Fonda westerns that you/we all watched in our youth…)
She had one stipulation, if she did she’d be wearing her Doc Martin boots and anybody who laughed at her would feel the full force of them in their balls…
(A nice touch and so typically Laura-esque…)
I figured what the fuck ?  They’d be covered by the long dress and petticoats anyway, so yeah, we have a bet.
Anyway, I got Flaco and then she had her accident.
So I went down to the Klub Wiv No Name and hired it as an outside promoter for the Flaco gig which we were now putting on as a tribute to Laura.


I’d booked an outside p.a. and advertised it as well as we could which included running round Hitchin town centre one step ahead of a couple of policemen with paste buckets and ladders and four foot posters (that was a fun evening, I was absolutely knackered after doing it) but we did it.
We had people of all ages, all sub-genres, punks, bikers, country fans, Tex-Mex fans and Laura’s Mother and family, and Flaco loved it.
He said it was like playing the bars at home but without the ‘chicken wire’ cages and he felt right at home.
Literally everybody there (nearly 300) loved it and wouldn’t stop talking about it for weeks.
That was the start.
Success.
And sales of Flaco’s back catalogue went right up too.



A couple of years later and I’m producing the Folk Show for Chiltern Radio and Audio Graffitti for Horizon Radio and for Big Tony Haynes who dj’d them, and in the shop I’m fast selling out of an album entitled ‘Eagle In The Rain’ by an American singer-songwriter named Tom Pacheco.
Tom’s one major claim to fame prior to this had been writing a track entitled ‘All Fly Away’ that Jefferson Starship recorded on their Dragonfly album.
This had sold in sufficient quantities (the odd million or two) to keep the royalties flowing, but now Tom is apparently playing the Cambridge Folk Festival that year as a solo artist and he is literally the opening act, so first things first, arrange tickets.
Sorted.
Ring up Clive at Tom’s English record company and arrange interviews for Tony with Tom while at Cambridge.
Sorted.
Go to Cambridge…
Tom was excellent so there was no disappointment there, and after Tony had recorded the interview I suggested that Tom get his name on the board at the Club Tent which is where a lot of my punters who went to Cambridge used to hang out.
This he duly does and manages to play another complete set but before he can escape the organisers at the Club Tent ask him if he wouldn’t mind playing another one nearer the end of the evening ?
The man is definitely mad because he signs up for it.
While we’ve been hanging with Tom and Clive, they have given us some projected dates for Tom returning to the country and doing a small club tour, so I bear it in mind and as soon as I get back I started making enquiries with my mate Ed White.
Bowes Lyon is busy for the Saturday night that we’d like, but we can book him into the Buff’s Club in Baldock, which we do.

Ticket from 'Buffs' Club gig

Half the Red Lion is up for going as they’d seen him at Cambridge and so we had another success, this time booking one of Klub Wiv No Name’s engineers and p.a’s and Mick McCarthy to go with it and run the p.a.
A couple of days later I get a visitation from Nuzz asking why we didn’t use the Klub ?
‘Cause you don’t put on that sort of thing and the date we needed was booked…’
‘Yeah, true, … But we could have changed it… Come to our next meeting, it’s on such and such a date…’
‘Ok…’
And that’s what started things off.






Apart from the two gigs mentioned, I hadn’t put on a gig since the mid 1970’s but the principle was still the same and Mick and the crew and Nuzz were sound, so why not ?
I ended up putting my first one on at Klub Wiv No Name after waiting a year and getting an inkling of how they all worked down there.
Doing all the jobs that nobody wanted to do (ie front of house) in the meantime.
I have to admit it WAS different… But it seemed to work.
My first gig at Klub Wiv No Name as part of the organisation ?


Tom Pacheco’s next tour.
And that’s how Nuzz and I got together.
The hippie and the punk, both with the same attitude problem.
One extolling the Grateful Dead and Bob Dylan and the other extolling Johnny Thunders and The Clash, both working from the outside toward the middle but both from different sides…
He’s left, I’m right, and we’re gone… To misquote an old Johnny Cash track.








Anyway, enough back pages, so let’s move forward…
Nuzz says he’ll pop round within the next couple of weeks to outline what’s going on as far as he knows, and that’s where we leave it.
Of course a couple of days into the next week I receive the ‘phone call from Suzanne of Herts Music Services explaining what they’d like, which was pretty much how Nuzz had described it anyway.
No problem, I can do that.
A couple of days after that, Anji Archer rings up…
Apparently Anji is involved in this, too ?
Anji is a local ‘artist’ and although that word may be correct, it doesn’t really do justice to what she does.
Painting, sculpting, murals on buildings, designing things, writing stuff… Anji has a vivid imagination when it comes to creativity.
Apparently I have some recordings ???
Now who told her that, I wonder ?
Yes, actually I do, and so has Nuzz, and so has Dread Ed, in fact it’s probably fair to say that most of us have a few p.a. recordings of some of the artists that played there.
Is there any chance we could transcribe them from cassette to cd so that the museum could play some of them in the exhibition ?
Shit !
This is beginning to sound like work.
‘Anji, I’m not against it, but let me have a chat to Nuzz before I commit myself, ok ?’
And that is where we left it for the time being.

So Nuzz pops round and gives me a few more details…
Apparently we are going to be ‘interviewed’ about our involvement ?
He has been given a date for his, but since I’ve heard nothing about an interview I file that on the back burner.
‘So… Are you gonna give them any recordings ?’
‘Yeah… The Johnny Thunders one, ‘cause that’s already appeared on the blog and a couple of others.’
‘Ok. I’ll give ‘em a Blyth Power and a Tom Pacheco and a couple of others.’
It’s not as if I’d put on as many gigs as Nuzz had.
I put them on when I thought something I was offered was worthwhile, as did Dread Ed, who seemed to concentrate on the more dance and rave oriented acts.
Nuzz booked them by the week, and it was a very rare week when there wasn’t at least one gig, but, because we all concentrated on different types of music we all seemed to fit together like pieces of a jigsaw.
The p.a. crew, Ralph, Mick, Lewis and Ed used to chip in with their own suggestions and so did everybody’s partner so there was a fair bit of musical input, which can only be a healthy thing 
(Well I think so) and we had some seriously good nights with acts like Blyth Power, The Walkabouts,Tom Pacheco, Redd Kross, Steve Young, Johnny Thunders, and on one amazing and crazy Sunday, a solo set by Jeff Buckley. 
Of the above, three are mine and three are Nuzz’s, the other one is a Nuzz start and a me finish and I’ll let you work out who did what, because it’ll give you something to think about ?
(It’s pretty easy actually if you’ve read any previous bits of the blogs, his http://nuzzprowlinwolf.blogspot.co.uk/ or mine ?)
And that’s not even mentioning some of the local bands who all got fitted in around those touring…
King Rizla,


 
Scum of Toytown,



The Astronauts,
 Transworld Siren, 


The Monster Kids who became The Immortals,




Serve The Servants,












Waysted Frame,


Eastside Jimmy, and two of the most contentious,

Kocaine and The Drug Prowling Wolves…

Everybody had a band.
I had a band, Wordz n Musik who became Kocaine, and Nuzz had The Drug Prowling Wolves and occasionally the sensible thing was to book one of us a support to an artist that would make a good and interesting bill.


Why did we change our name to Kocaine I can hear you wondering ?
Because at The Red Lion Folk Club one Sunday lunchtime we were introduced by compere Roy Birch with the following wordz (or is that words ?)
‘These two get up so many noses they should call themselves cocaine… Chris and Emma… Wordz n Musik…’

Emz: On Tom Katz bike with my Hofner was probably the best rhythm guitarist in the area which is why I wanted to work with her. (Wordz n Musik & Kocaine) She also had her own 'metal' bands, The Monster Kids & The Immortals
And so cocaine became Kocaine for our continued existence because we wanted the joke and not the drug connotation.
Unfortunately the newspapers took the drug connotation and so we were rarely mentioned anyway and that’s a double-edged sword because you have to rely on word of mouth, but we seemed to be doing alright at that, so…
As for The Drug Prowling Wolves, if punk had taught anybody anything, it was that anybody could form a band and play…

Advertising material from The Drug Prowling Wolves
They didn’t actually need to have talent, they just needed the balls to get up and do it…
And so, closely modelled on the MC5 crossed with Johnny Thunders and possibly Mick Farren’s Deviants, The Drug Prowling Wolves became the band that nobody wanted on their bill because they were soooo bad.
Actually they weren’t bad at all.
They had something, and whatever it was, they traded on it and became, whether they liked it or not, an institution.

Was this the worst band musically in the area ?
Possibly ?
But were they entertaining so would you go and see them again ?
Grimaces and groans all around but of course we would (and did)
So yeah, the pair of us were known about for various reasons.
And both of us wrote a bit…


Nuzz had been a member of Parnassus Performance, the local poetry group and had ‘sort of’ retired from it, while I was a current and extant member…
And I didn’t want to write books, I was happy to get up and do it live.
I still do, but I pick and choose what I want to do these days, rather than trying to get to everything I’m offered.
The heart attack was probably the deciding factor.
Back then I would be happy to admit I was a gig-tart… Now… Not so much.
And once I’d tried working with a musical backing to some of the stuff I was writing, I knew it worked.
Not everything, but some things just lent themselves to it and so I started working with a rhythm guitarist and that’s what Wordz n Musik were all about because THAT is what we were.
I did the wordz and Emma (Emz) did the musik.
Anyway, Parnassus had been formed in Bowes Lyon House and so there was yet another connection.

Of course the following week I get the ‘phone call…
Can I come in to Bowes Lyon to be interviewed ?
‘Yes, if I can bring my wife because she has never seen some of my back pages and that place is certainly part of mine ?’
‘Yes, that will be fine…’
Sorted.
Haddy gets to take some pictures of a place I have some crazy and memorable memories from, which helps her put some of my previous lives into some sort of perspective, so that’s alright then.

On the day, Haddy and I turn up on time and are met by Anji who takes us round to the old ‘den’ as it was nicknamed, where we used to put on about 80 % of the gigs.


I finally meet Suzanne and the girl who is going to do the interview, Emma, from After Dark.

Emma's on the right

At which point Nuzz turns up, greets us and whoever else he knows and we’re pretty much ready to go.

Nuzz and me

A quick run through on Emma’s first question so that the sound and camera (Yes, they filmed it) got a level check, and we were ready to go.


I’d brought along one of the posters from the Flaco gig (I have two, one is autographed from the band) to literally start my involvement from the beginning, but it wouldn’t have mattered because the conversation went everywhere…
‘I don’t really want to get sort of political but when we put the gigs on it was like true communism at work… You know… The ideal ?
The person who booked the headliner is in charge, everybody else is subservient to them, and when the promoter changes then the subservients change along with it and because we mainly worked on genres, the whole system worked like a well oiled clock.’
Or
‘It’s not just me and Nuzz, there were others involved too… Dread Ed, he did most of the dancey type evenings, bands like Back To The Planet or Credit To The Nation… Where is he anyway, he should be 
here ?
Mick Mac’, he’s in Oz right now (Oz=Australia)
Ed Sparrow ?
All these people were part and parcel of it…’
At that point Brian walked in.


I’d forgotten his name but the face was familiar…
Back in the day it used to have a bloody great cocks crow Mohican hairdo above it…
Brian had been predominantly a punter but he had a good memory and he had gone to one hell of a lot of our gigs and so Brian became the third of us at the reunion.

Like a 'still' from Hammer films 'Children Of The Damned...'

‘If you could go back and do it all over again, would you ?’
‘God, yeah…’
‘Christ, yeah…’
‘Definitely…’
That was Nuzz, me and Brian answering the last question.

Nuzz, me and Brian

Haddy took a few more pictures and we had a guided tour of the building remembering who played where ?

Emma and Nuzz

 The large hall upstairs has been seriously done up since we’d last seen it, that’s for sure. 

Me, Suzanne from Herts Music Services, and Anji

(Flaco, Credit To The Nation, Back To The Planet, Dogs D’Amour…)
Jeff Buckley actually played upstairs opposite the stairwell.
He wasn’t even in any of the three rooms.
Before I get anybody writing in, I have to say that Jeff played middle of the bill (as his management requested) on a Sunday night at what Nuzz had termed  a ‘Naff Night’ gig.


'Naff' didn’t refer to the artists, it referred to the fact that Sunday was a pretty ‘naff’ night to be putting on a gig, but these gigs took place once a month and were a great way of ‘auditioning’ the younger bands.
A headliner (In this case Coloryde, a 'Mod' band from Welwyn Garden City) would be booked and the other two would be playing possibly the first, second or third ‘proper’ gig of their career.
All of them took place adjacent to the upstairs stairwell.
In Jeff’s case the middle band dropped out with a week to go and because Jeff was playing Stevenage officially (Red Lion Folk Club) that Sunday lunchtime, I cheekily rang his management and asked if he’d like a second gig in the evening for the same
money ?
They said yes please, and the rest is history.

And that’s where we left it.

Lionel, who ran the bar when we were there, and Anji

We gave Nuzz a lift home and promised to contact each other when we heard anything.
The museum looks like it could be having a very interesting exhibition ?
Before our time there, The Who played Bowes Lyon House…
But back then, Stevenage was one of the ‘known’ Mod towns.
And…
Those who live there have always supported live music.

So yeah…
My back pages
Or
‘I was so much older then, I’m younger than that now…’